http://not-scully.livejournal.com/ (
not-scully.livejournal.com) wrote in
shatterverse2009-09-22 07:24 am
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Dean is apparently living at Jo's. Leah is working and while she usually has time for a drink, Sam doesn't want to interrupt her, or hang around too much. No jobs to do, that he knows of. No real desire to go out by himself to do them, either. There's nothing wrong with his car and he's not Dean - meaningless tune-ups don't interest him. His guns and knives have been cleaned and polished, he's stocked up on bullets, salt, holy water. Ransacked more than a few bookstores and churches. Sat around the apartment he usually shares with his brother and stared at blank walls.
Sam is bored. Very, very bored.
And in Kansas.
Metropolis is a few hours from Lawrence. What's in Lawrence is... complicated. But maybe it's time he finally checked it out. Looked it in the eye and addressed it's existence.
(the "it" in question is debatable)
For now, Sam Winchester is sitting on the front step of the apartment building he sleeps in, frowning to the north.
Sam is bored. Very, very bored.
And in Kansas.
Metropolis is a few hours from Lawrence. What's in Lawrence is... complicated. But maybe it's time he finally checked it out. Looked it in the eye and addressed it's existence.
(the "it" in question is debatable)
For now, Sam Winchester is sitting on the front step of the apartment building he sleeps in, frowning to the north.
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"You don't seem so sure."
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Said simply, unashamed. This isn't hunting, it's a release from boredom. Maybe even an innocent one.
Brown eyes are tracking north again.
"...how long's it been since you were in Lawrence?"
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"Few months." Before -- Before those few months. Before that Horror World. She frowned absently. "Maybe longer."
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It's not completely out of boredom.
"Do you think they're still there?"
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Another Sam.
It's not exactly a grimace, or a shrug, when she shifts her shoulders. "Maybe. It's been a while since anyone checked in there."
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That's more of a reason to go, really. If he takes the Porsche and there are people there, they won't recognize the car and he won't get out to greet them. And if they're not there then...
Well.
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Dean's in her house and Sam on their stairs and she knows where he's going and she's not inclined to lie to at least two of the people who've done what can't be thanked in words....and at the same time, she's not thinking about that.
She's watching Sam nod, watching Sam watching the northern sky; hating that the multiverse is ripping into someone new in front of her.
"When are you thinking about going?"
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He should tell Dean. Actually, no, he shouldn't, because Dean will get that look on his face from when anybody mentions the "other" Sam and this Sam doesn't want to see it. Or hear about what a bad idea it is, or how what's in the past should stay in the past, or how it won't help...
Or anything else Dean ever says to keep Sammy from delving too deep.
Sam looks up at her again, as if suddenly reminded that Jo is there and watching him. "It's no secret," he points out, smiling a little, maybe at the look on her face, maybe about the look on his. "What's Dean doing today anyway?"
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There's no one more important in Sam's life than his brother. But that doesn't mean, and has never meant, that they should share everything.
He pushes up from the porch, hands slipping into the pockets of his jacket, where keys jingle. "I should get going before it gets dark," he says, as if it explains everything.
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Which thinking that, makes it even odder.
"You don't have to go alone."
And maybe somewhere she's thinking Dean left her with Rachel in tow to go with Jack to her trashed home, and he left her in a bar in a home she can't reach, and in a bar at the end of the universe.....and that he's stayed, he's stayed now....but that doesn't mean she has to leave Sam just this second.
She gets that some things are bigger than your past and your debts.
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Sam almost turns her down by rote, habit. If it's not Dean, they shouldn't be in the car. But it's the Porsche that's waiting and a town filled with mirrors and Dean shouldn't have to go back to a place that makes him look like that.
A shrug, a nod toward the car painted midnight blue.
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For a second, a second here and then gone, lost in the autumn wind that ruffles her blonde curls against her cheeks, because like she had she meant to offer herself? and she wasn't about to leave them yet before it was all only the chill on her skin.
--and then she walked to the car.
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Sam slides into the driver's side and fires up the engine, smooth and natural the way he never was when driving the Impala. That was always on loan, an inheritance he shouldn't have had. This car is nothing special, aside from being his.
This time, when he turns his gaze north, it's to focus on the highway. But Lawrence never leaves his mind.
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She doesn't even know what happened to the girl.
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Sam doesn't drive slow but he isn't reckless either. Careful, controlled and at the same time, utterly casual.
He's done a lot of driving on his own lately and a lot of driving with women he barely knows in the passenger seat. But this is more comfortable than Ruby, for obvious reasons. And more comfortable than Leah, for less obvious reasons he really doesn't want to examine.
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They both know that intimately.
And still, Jo, picked that second to drum her fingers on her jeans, and break it with her voice. "Do you have a plan for once you get there?"
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He shrugs, lips turned down and eyes on the road. "Not really? Just... figured I should check it out."
And why not now?
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"You mind a stop by my old place?"
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Now he glances at her, almost curious, but his eyes are back on the road soon enough. "Is it far?"
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"Halfway down the same street. Being underfoot blew."
Even if Mary had been kind about the tea and invitation.
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But he does nod.
"Sure."
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And never of her, really.
She made a quiet, affirmative noise, and studied the debris of a billboard sign, broken and burned up, as they passed it.
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Sam's only driven this road once before. When they'd first gone, he'd had his eyes on the map constantly, figuring out the route. He never reaches for the glove box this time. His eyes on the road and hands on the wheel, he remembers where to go.
And the street that holds the house he was born in is even lonelier, dustier than it was four years ago.
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She says, with the same even tone. The same way she would if she walked out and Dean's impala wasn't anywhere near her house. The two are tied.
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