slayer_fray (
slayer_fray) wrote in
shatterverse2009-04-26 09:08 am
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At the wall where the farmhouse is afforded the least possible visibility from the more crowded areas of the farm, a quarter-lump of brick falls pointlessly to the ground. Mel, nursing her knuckles, glares at it.
She's familiar with the practice, when you're so pent up with frustration and anger and hatred that you have to punch something, of finding an innocent wall and taking it out on that, and is annoyed to fins out that a) it's not nearly as satisfying as common wisdom holds, and b) it's much much less of a good idea when there's a possibility you might actually win a fight with a building.
She nudges the brick against the base of the house, deciding she'd better get Toph to reattach it later, and turns her attention back to her hand.
Frustration not satisfied, hand hardly injured, house probably not hurting that much from its loss. All in all, a completely no-win situation.
She's familiar with the practice, when you're so pent up with frustration and anger and hatred that you have to punch something, of finding an innocent wall and taking it out on that, and is annoyed to fins out that a) it's not nearly as satisfying as common wisdom holds, and b) it's much much less of a good idea when there's a possibility you might actually win a fight with a building.
She nudges the brick against the base of the house, deciding she'd better get Toph to reattach it later, and turns her attention back to her hand.
Frustration not satisfied, hand hardly injured, house probably not hurting that much from its loss. All in all, a completely no-win situation.
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It's not as sullen as it might be; just blank. Mel's not figured out which emotions she should be showing yet, but she's not unhappy to see him. She looks at her hand for another second before turning her head to do so.
"How's it going?"
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It's almost an enquiry as to how she is, except that it's not quite.
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Mel shrugs when he does, dropping her hands in a forced act of casualness, cupping her own elbow, trying to tell him that she's fine, why is he asking her?
And, just in case Dean wants to ask her why she's such a bad sister she's not with him at the pyre, "Had to get the kids breakfast and get them to their uncle."
Iroh teaching two year olds firebending is officially the cutest thing on the farm.
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He nods, moving a couple of steps closer and reaching out towards her elbow, eyeing the chunk of brick behind her.
"You break your fist?"
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"No. Only lost a fight with a building once. Doesn't happen often."
Still, the contact with another human person is nice, so he can examine it if he wants.
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"He doin' okay?"
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Simple, blunt, and a little bit snarky for the stupid question, a tone Mel instantly regrets, so she glances away from Dean again.
"He shouldn't've had to do it."
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(it has nothing to do with what he thinks he should be feeling; he's honestly amused at Mel's reaction)
He leans against the brick a few yards away from his sister and waits for her notice him.
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Sokka gets a smile just for being him, and she tucks her thumbs into her pants pockets.
"Hey."
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There's no point in pretending it didn't happen, Mel. Not when it gives Sokka an opportunity to tease.
Which he does now, leaning away from the wall to glare at it suspiciously. "Do I have to fight it, too?"
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"You prob couldn't take it."
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He might be smirking at her a little, too.
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Mel forgets her fight with the wall and turns her back on it, using it as a place to park her rear.
"All the walls."
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"Should've thought oft that before she built the house of such crappy brick."
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Mel drops her fist to her side and gives Sonia a dry smile. "How's Ralph?"
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Death by baby shrieks: it is more likely than you think!
Oh, wait, Mel knows all about that. (TIMES TWO HOW DID SHE MANAGE IT?!)
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"How's he doing with the whole sitting thing?"
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And by the fact that air is a gas that is clear.Half shrug. "He don't like when I'm off, but I guess he calms down."
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"Yeah, ten years."
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