Rachel puts up with the maneuvering with a scowl, lips tight with annoyance. Love of shopping aside, she does not appreciate being moved around like a mannequin.
Jo shifted, looking at Rachel standing there. The way her shoulders shifted.
Pulling her right slightly back, again.
"You don't think you look at the ground, but if you lose sight of it, you can't walk straight, balance, stand upright. It's your equilibrium, the foundation."
Letting her shoulder pull back with Jo's touch, Rachel nods slightly, eyes on the silver of the sight. Immediately, she starts to pull her shoulder up again - then stops and forces herself to put it back again, to stand and find comfort in the position Jo's put her in.
The silver glows bright and her eyes narrow a little, thinking immediately of the list of morphs that would be better equipped for this.
Then stops herself, mouth thinning into a fine line as she nods slightly. "Okay."
"When you look through it, it's there and you never lose it." Even if Jo couldn't tell you the last time she saw it firing.
It'll be off. For whatever Rachel will need to compromise for. Jo has to do it for her height and her lower perspective. But it'll come in time a lot later, too.
The nose of the rifle moves marginally, Rachel's young face set in fierce concentration. It's not that hard. The mental focus it takes to hold a morph, or leave it, has given her a great deal of experience in holding her focus with distractions around.
But she has to want to do it. There needs to be adrenaline and a need and a purpose.
...except that Jo's teaching her.
She adjusts the rifle against her shoulder until the target is centered with that little silver piece, the darker block on the point of the muzzle.
"Okay," she murmurs, focusing less on Jo, more on the target. Focus.
Jo only makes it through half of that last word, fire, before the rifle goes off.
Rachel will have to compensate for a lot of things, once she realizes how her body and the gun work together. And eventually, one day, she'll have to learn patience.
For now, she lets the rifle drop from her shoulder, holding it steady at her waist, and squints at the target. "...it's worse than the last one," she points out, grumpy.
She chooses not to acknowledge that her last shot was pure luck.
Given that silent order, Rachel answers, taking cartridges and loading them. Her hands fumble but only from a lack of experience. She tries. She does her best.
"I've got the stance," Rachel murmurs, distracted as she squints at the target, "but I'm not getting any better."
no subject
Rachel straightens her shoulders and adjusts, relaxing her elbow to allow for the kickback. She tries again.
Her aim is still atrocious. But her hands and stance are steady.
no subject
But the third ring is still getting a hit.
Which makes her frown.
Not as much as Rachel's last shot.
"Like this." The revolver hangs from her left hand.
She reached out. Her right hand settling on Rachel's arm.
no subject
"How is this supposed to help?" she asks after a moment, a little rough. "It's not even moving."
no subject
Jo shifted Rachel, hands deft but impersonal.
The set of her shoulders. The stance related to her hips.
no subject
She puts up with it. Jo's helping her.
no subject
"Now, down the center, look at the circle through the site. But don't unfocus it."
no subject
"How do I focus?"
...on the gun, of course. Though it wouldn't hurt for her to get a full definition.
no subject
no subject
no subject
Jo shifted, looking at Rachel standing there.
The way her shoulders shifted.
Pulling her right slightly back, again.
"You don't think you look at the ground, but if you lose sight of it, you can't walk straight, balance, stand upright. It's your equilibrium, the foundation."
no subject
The silver glows bright and her eyes narrow a little, thinking immediately of the list of morphs that would be better equipped for this.
Then stops herself, mouth thinning into a fine line as she nods slightly. "Okay."
no subject
Even if Jo couldn't tell you the last time she saw it firing.
It'll be off. For whatever Rachel will need to compromise for.
Jo has to do it for her height and her lower perspective.
But it'll come in time a lot later, too.
"Line it up to the middle."
no subject
But she has to want to do it. There needs to be adrenaline and a need and a purpose.
...except that Jo's teaching her.
She adjusts the rifle against her shoulder until the target is centered with that little silver piece, the darker block on the point of the muzzle.
"Okay," she murmurs, focusing less on Jo, more on the target. Focus.
no subject
no subject
Rachel will have to compensate for a lot of things, once she realizes how her body and the gun work together. And eventually, one day, she'll have to learn patience.
For now, she lets the rifle drop from her shoulder, holding it steady at her waist, and squints at the target. "...it's worse than the last one," she points out, grumpy.
She chooses not to acknowledge that her last shot was pure luck.
no subject
She's didn't pause for complaint or pity. "Keep going."
Or for the fact that Rachel might reminds her of herself. Long ago.
no subject
Almost immediately, she lifts the rifle back into place, makes the effort to pull her shoulder back as Jo insisted. Her eyes narrow.
A shot fires through the woods again. Blue eyes dart to Jo, waiting - but not lowering the rifle.
no subject
Even when she says, "How're you doing with everything?"
no subject
"I've got the stance," Rachel murmurs, distracted as she squints at the target, "but I'm not getting any better."
In her eyes.
no subject
But if she pointed it out, it would leave.
"I didn't mean the gun."
no subject
no subject
Miming lifting, pointedly.
no subject
But she still lifts the rifle and squints down the sight again.
no subject
She knows Rachel isn't following yet.
no subject
Another shot rings through the air. She scowls at the result but is already shifting to reload.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)