Stephanie Brown (
alwaysroomforhope) wrote in
shatterverse2007-11-26 01:02 pm
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It's fairly early in the morning when Mel, Sokka and Steph crest the final hill and find themselves looking down from the Heights towards Gotham City. Mel is keeping the girls happy in the back; Steph's driving. She doesn't ask before slowing gradually to a stop, eyes on the vista before them.
Gotham. Smoky, dark, twisted, gothic. It almost looks organic, lumpy and misshapen as it is, every building sprouting gargoyles and added wings, twisted into fantastic shapes.
It's so familiar it makes Steph's heart lurch; she hasn't been home for almost a year. She knows the skyline inside out, knows exactly how it feels to leap from the casino to the street below and swing up exactly in time to land on the train, knows where the instabilities in the gargoyles are and just how hard to throw a grapple to get from one end to the other of Ninth in under two minutes. It's filthy and ugly and disease-ridden and smoky and it's home.
Except ...
... this isn't the home she left.
It's with a sigh of pure relief that she realises, slowly, that this is Gotham before the quake, missing the light-filled spires of Luthor's redesign, all the old buildings still standing tall. This is Gotham before she had the baby, before the No Mans' Land.
This isn't her world.
The grin she turns to Sokka is enormous and full of relief.
"It's not mine. I won't find th— her here. Oh, thank fuck for that."
Gotham. Smoky, dark, twisted, gothic. It almost looks organic, lumpy and misshapen as it is, every building sprouting gargoyles and added wings, twisted into fantastic shapes.
It's so familiar it makes Steph's heart lurch; she hasn't been home for almost a year. She knows the skyline inside out, knows exactly how it feels to leap from the casino to the street below and swing up exactly in time to land on the train, knows where the instabilities in the gargoyles are and just how hard to throw a grapple to get from one end to the other of Ninth in under two minutes. It's filthy and ugly and disease-ridden and smoky and it's home.
Except ...
... this isn't the home she left.
It's with a sigh of pure relief that she realises, slowly, that this is Gotham before the quake, missing the light-filled spires of Luthor's redesign, all the old buildings still standing tall. This is Gotham before she had the baby, before the No Mans' Land.
This isn't her world.
The grin she turns to Sokka is enormous and full of relief.
"It's not mine. I won't find th— her here. Oh, thank fuck for that."
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"...why is it like this?" he asks, frowning thoughtful at the city in front of them, sitting up and leaning forward to peer out the window. "I mean, misty, dark, and creepy, that's fine - why is it still standing when nothing else we've seen has been?"
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She's leaning happily on the wheel, looking -- well, looking like she feels at home.
"I bet they hardly even know anything happened."
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"...it is kind of ... foggy down there," she says slowly, reluctantly. "It's not normally that misty. But it could just be a cold snap."
Please let it just be a cold snap.
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"How d'you know it's not yours? Are we talking a couple centuries or whole different reality?"
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She hesitates, and then adds to Mel, carefully, "... That was... after, so she could still be down there, though. If things went the same in this world."
See, totally talking about her mother, right.
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Mel leans across to put a hand on Sokka's shoulder. "But we don't get out of the car until we have to. You know where we're going, Steph?"
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A moment's all Marie needs.
(flick)
"Hi guys," she says cheerily. "Said I'd check in, did I not? Sorry it took me so long."
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(Mel pulls the reachy arms down and takes the baby onto her own lap)
"How's it going?"
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Anyone looking up would notice that it appears to be a car.
A Flying car.
Because yes... it is pretty awesome.
Actually right now it's just kind of hovering overhead as if someone is watching the people below.
"ATTENTION PEOPLE ON THE GROUND. DO NOT ATTEMPT TO ENTER GOTHAM CITY. REPEAT: DO NOT ATTEMPT TO ENTER GOTHAM CITY!"
Because PA systems are all in capslock. Right?
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Hell, Mel knows that voice. And although her first reaction is to flip the loudspeaker the bird, she sits forward sharply and taps Steph's chair sharply.
"Stop the car!"
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But gently. Babies on board, after all.
"What is it?"
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"Stay there," she tells Steph and Sokka before stepping out into the road, her other hand cupping her mouth to yell out:
"Erin!"
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And a confused Erin Fray steps out.
"Mel?"
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"Jesu, Erin," she repeats, before racing forward, Hana laughing with the movement.
"It's really you?"
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And now there was Mel coming after her with a baby?
"Um. Yes?"
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"Oh god I thought I lost you, I'm so sorry, I..."
Of course, it takes a second for her to register the car behind her sister.
"You came from Haddyn, right?"
And therefore isn't the Erin that already dealt with the issue of the twins.
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It still doesn't stop her from squishing back though.
"Where else would I be coming from," she replied. "Or do I want to know?"
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But zomg CAR!
Give him a minute.
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But affectionately.
"I'll get you one for your birthday," she suggests, reaching over into the back for Loo, eyes staying on the woman Mel's talking to while she pulls the sleepy baby into her arms. "Who's that?"
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Of course, Steph already beat him to that, and it takes him a minute to stop panicking to realize that.
"That's Erin, Mel's older sister. And since she didn't have a flying car in Apocalyptica, I'm guessing it's a whole new one straight from Haddyn."
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Mel said stay here, so Steph does, despite her eyes widening enormously at the man who's climbing shakily out of the jet after the blonde.
"-- holy shit, it's Commissioner Gordon!??"
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Steph is suddenly Very Solemn.
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