Stephanie Brown (
alwaysroomforhope) wrote in
shatterverse2007-11-26 01:02 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
(no subject)
It's fairly early in the morning when Mel, Sokka and Steph crest the final hill and find themselves looking down from the Heights towards Gotham City. Mel is keeping the girls happy in the back; Steph's driving. She doesn't ask before slowing gradually to a stop, eyes on the vista before them.
Gotham. Smoky, dark, twisted, gothic. It almost looks organic, lumpy and misshapen as it is, every building sprouting gargoyles and added wings, twisted into fantastic shapes.
It's so familiar it makes Steph's heart lurch; she hasn't been home for almost a year. She knows the skyline inside out, knows exactly how it feels to leap from the casino to the street below and swing up exactly in time to land on the train, knows where the instabilities in the gargoyles are and just how hard to throw a grapple to get from one end to the other of Ninth in under two minutes. It's filthy and ugly and disease-ridden and smoky and it's home.
Except ...
... this isn't the home she left.
It's with a sigh of pure relief that she realises, slowly, that this is Gotham before the quake, missing the light-filled spires of Luthor's redesign, all the old buildings still standing tall. This is Gotham before she had the baby, before the No Mans' Land.
This isn't her world.
The grin she turns to Sokka is enormous and full of relief.
"It's not mine. I won't find th— her here. Oh, thank fuck for that."
Gotham. Smoky, dark, twisted, gothic. It almost looks organic, lumpy and misshapen as it is, every building sprouting gargoyles and added wings, twisted into fantastic shapes.
It's so familiar it makes Steph's heart lurch; she hasn't been home for almost a year. She knows the skyline inside out, knows exactly how it feels to leap from the casino to the street below and swing up exactly in time to land on the train, knows where the instabilities in the gargoyles are and just how hard to throw a grapple to get from one end to the other of Ninth in under two minutes. It's filthy and ugly and disease-ridden and smoky and it's home.
Except ...
... this isn't the home she left.
It's with a sigh of pure relief that she realises, slowly, that this is Gotham before the quake, missing the light-filled spires of Luthor's redesign, all the old buildings still standing tall. This is Gotham before she had the baby, before the No Mans' Land.
This isn't her world.
The grin she turns to Sokka is enormous and full of relief.
"It's not mine. I won't find th— her here. Oh, thank fuck for that."
no subject
"Really? Rocketship!"
no subject
"So... Apocalyptica? That's where you ended up?"
She also casts a glance toward Sokka.
"That's where you met him?"
Making assumptions already. As a cop Erin should no better.
no subject
The problem is, that Sokka's actually more complicated than she wants to explain to her sister, so Mel misses the false assumption completely.
"Yeah," she confirms, giving the boy in question a quick glance. "That's Sokka. And the girl is Steph. We met her in Eden, which... well, this is the third world, and we haven't given it a cute name yet."
no subject
no subject
no subject
At this point it didn't matter why or how Mel was thrown off a rooftop. The woman standing in front of her had obviously gone through a lot of changes since then and Erin had to admit to herself she liked what she saw.
"I... I don't think I need to know the details about you on the roof," Erin said as she regretfully offered to hand Hana back. "I'm just sorry that I couldn't have been there for you somehow."
no subject
"There was stuff. Neither of us dealt well. Sounds like it's over for you just as much as me."
Mel's just happy to have Erin back with her.
no subject
no subject
She turns back to the car again, partly to check they haven't flashed into a different world.
"We have to go on," she tells Erin. "Steph's got family in Gotham that have to be checked on."
no subject
no subject
no subject
no subject
Mel's returned look is steady, but a stubborn frown is rising up.
"I'm me. Whatever's in there we can deal. And we have a friend who's keeping tracks to zap us out if we need it."
no subject
Erin looked back at the cruiser and Jim
who she assumed was still sitting there."Look. There's a cop I rescued from the city. He probably knows the place better than your friend," Erin continued. "And the cruiser can get in and out faster than that antique over there you're driving. If you have to go in there at least use that."
no subject
The argument over going she considers settled.
no subject
She may not be her exact sister but protective streaks are hard to break.
no subject
"Because he's going with her and I'm going with him. And 'cause I'm the best fighter. We come up against something, it'll be me gets us out."
Not that Sokka and Steph aren't capable on their own, but she's her.
no subject
"This isn't a gang of lurks you're going up against, Mel. It's... it's like a disease. It hits you quick and the next thing you know you're not reacting to anything," Erin argued. "What good are you going to be to your kids if you can't move?"
no subject
Mel glares at her sister - because timeline or not, this is definitely her - over Hana's oblivious head.
"I quit giving up a long time ago," she says, an edge working its way in. "I couldn't let them go without me if I wanted to."
no subject
Erin looked over at Mel's friends and dropped her voice so that only Mel could hear.
"Dead. And I mean that, Mel. I was only in there for a few minutes and all I wanted to do was lie down and die."
no subject
no subject
no subject
"Every street? You check every building? Jesu, Erin, this is family I'm talking about."
Her family, almost.
no subject
"Fine," she said sternly."But let's not endanger everyone. I have comms in the cruiser that we can use to remain in contact with everyone. First sign of anyone getting cold or giving up? Your zappy friend there does her zappy thing and gets people out of there."
no subject
That last sentence was toned almost like an apology.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)